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The book gets off to a slow start with flashbacks to the Stalin era and the events of the days leading up to and just after Stalin’s death, which explain the possibility of the existence of such a diary. The story picks up a bit when Kelso becomes the main focus, but never really reaches a very fast past tempo. It focuses more on Russia and the issues confronting it today in regards to the past. One memorable passage tells of how Stalin’s memorabilia is sold freely on the streets to the still interested masses and compares with modern day Germany where every trace of Hitler has been wiped out of daily public life. The Russian’s still worship Stalin, while the Germans abhor Hilter. It’s rather a disturbing thought because it means that Russian society may not be quite as free and away from the past as we would like to think. The further Kelso goes into the country, the more apparent it becomes. At least in Moscow the focus of life seemed to be the future and how to cope with Russia as it is today and not on how to return to the past.
The novel is a cross between spy novel, historical fiction, thriller and social commentary. I can’t say I enjoyed it hugely because it is quite dark and the Russian mentality is difficult for me to fathom. I took a couple of Russian literature courses at Uni and the logic never really clicked, so I’m not surprised that I had problems with this one. The ending though, the ending makes up for a lot. That was something I understood, so for me, Harris saved the book with that. Still, I’m giving it a 3 out of 5, but keep in mind that rating is a matter of taste rather than a reflection on the writing
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